Global Hip Hop Bibliography

Alim, H. Samy et al., eds. 2008. Global Linguistic Flows: Hip Hop Cultures, Youth Identities, and the Politics of Language. New York:
Routledge.

Androutsopoulos, Jannis, and Arno Scholz. 2003. Spaghetti Funk: Appropriations of Hip-Hop Culture and Rap Music in Europe. Popular Music and Society 26, no. 4 (2003): 463-479.

Aplin, T. Christopher. 2012. "Expectation, Christianity, and Ownership in Indigenous Hip-Hop: Religion in Rhyme with Emcee One, RedCloud, and Quese, Imc." MUSICultures 39(1): 42-69.

———. 2013. "Urban Beats, Religious Beliefs, and Interconnected Streets in Indigenous Hip Hop: Native American Influences in African American Music." in Sounds of Resistance: The Role of Music in Multicultural Activism, ed. Eunice Rojas and Lindsay Michie, 85-112. Santa Barbara: Praeger.

Ariefdien, Shaheen and Nazli Abrahams. 2006. Cape Flats Academy: Hip-Hop Arts in South Africa, in Total Chaos: The Art and Aesthetics of Hip-Hop, ed. Jeff Chang, 262-70. New York: BasicCivitas / Perseus Books

Baker, Geoffrey. 2005. ¡Hip Hop, Revolución! Nationalizing Rap in Cuba. Ethnomusicology 49, no. 3: 368-402.

Basu, Dipannita and Sidney J. Lemelle, eds. 2006. The Vinyl Ain’t Final: Hip Hop and the Globalization of Black Popular Culture. London:
Pluto Press.

Behague, Gerard. 2006. Rap, Reggae, Rock, or Samba: The Local and the Global in Brazilian Popular Music (1985-95), Latin American Music Review 27, no. 1 (Spring/Summer): 79-90.

Berland, Jody. 1992. Angels Dancing: Cultural Technologies and the Production of Space, in Cultural Studies, ed. Grossberg, Nelson, Treichler, pp. 38-55. New York: Routledge.

Bennett, Andy. 2000. Hip Hop Am Main, Rappin' on the Tyne: Hip Hop Culture as a Local Construct in Two European Cities, in Popular Music and Youth Culture: Music, Identity and Place. London: Macmillan.

Brown, Timothy S. 2006. ‘Keeping it Real’ in a Different ‘Hood: (African-) Americanization and Hip-hop in Germany, in The Vinyl Ain’t Final: Hip Hop and the Globalization of Black Popular Culture, ed. Dipannita Basu and Sidney J. Lemelle, 137-50. Ann Arbor, MI: Pluto Press.

Chamberland, Roger. 2001. Rap in Canada: Bilinqual and Multicultural, in Global Noise: Rap and Hip-Hop Outside the USA. Middletown, CT: Wesleyan University Press: 306-25.

Chang, Jeff. 2005. Can’t Stop Won’t Stop. New York: St Martin’s Press.

———. 2004. Future Shock. Village Voice, 19 January. <http://www.villagevoice.com/music/0403,chang,50366,22.html>

———. 2007. It’s A Hip-Hop World. Foreign Policy (November).

———. 2006. Inventos Hip-Hop: An Interview with Eli Jacobs-Fantauzzi, in Total Chaos: The Art and Aesthetics of Hip-Hop. Jeff Chang, ed. New York: BasicCivitas / Perseus Books.

Christgau, Robert. 2002. Planet Rock: The World’s Most Local Pop Goes International, Village Voice, 2 May. <http://www.villagevoice.com/music/0219,christgau,34334,22.html>

Clark, Grant. Kwaito: The Voice of Youth. BBC World Service. <http://www.bbc.co.uk/worldservice/africa/features/rhythms/south africa.shtml>

Condry, Ian. 2001. A History of Japanese Hip-Hop: Street Dance, Club Scene, Pop Market, in Global Noise: Rap and Hip Hop Outside the USA, ed. Tony Mitchell. Middletown, CT: Wesleyan University Press.

———. 2006. Hip-hop Japan: Rap and the Paths of Cultural Globalization. Durham, NC: Duke University Press, 2006.

———. 2001. Japanese Hip-Hop and the Globalization of Popular Culture, in Urban Life: Readings in the Anthropology of the City. George Gmelch and Walter Zenner, eds. Prospect Heights, IL: Waveland Press.

Cumming, Andy. Interview with DJ Marlboro. Hyperdub <http://web.archive.org/web/20040422141408/http://www.hyperdub.com/softwar/marlboro.cfm>

———. Who Let the Yobs Out? Stylus. nd.

Forman, Murray and Mark Anthony Neal. 2011. That's the Joint!: A Hip Hop Studies Reader. New York: Routledge, 2011.

Ferguson, James. 2002. Of Mimicry and Membership: Africans and the ‘New World Society.’ Cultural Anthropology 17, no. 4: 551-569.

Fernandes, Sujatha. 2011. Close to the Edge: In Search of the Global Hip Hop Generation. New York: Verso.

———. 2003. Fear of a Black Nation: Local Rappers, Transnational Crossings, and State Power in Contemporary Cuba, Anthropological Quarterly 76, no. 4: 575-608.

———, and Jason Stanyek**. 2006. Hip-Hop and Black Public Spheres in Cuba, Venezuela, and Brazil, in Beyond Slavery: The Multilayered Legacy of Africans in Latin America and the Caribbean, ed. Darién J. Davis. Lanham, MD: Rowman & Littlefield Publishers.

Flores, Juan. 2004. Creolité in the ‘Hood: Diaspora as Source and Challenge. Centro 16, no. 2 (Fall): 283-289

———. 2004. Puerto Rocks: Rap, Roots, and Amnesia, in That’s the Joint!: The Hip-hop Studies Reader. New York: Routledge.

Frere-Jones, Sasha. True Grime. New Yorker. <http://www.newyorker.com/archive/2005/03/21/050321crmu_music>

Gazzah, Miriam. 2008. Dutch-Moroccan hip-hop and stereotypes, in Rhythms and Rhymes of Life: Music and Identification Processes of Dutch-Moroccan Youth. Amsterdam: Amsterdam University Press.

Gilroy, Paul. 2004. It’s a Family Affair, in That’s the Joint!: The Hip- hop Studies Reader, 87-94. New York: Routledge.

Giovannetti, Jorge L. 2003. Popular Music and Culture in Puerto Rico: Jamaican and Rap Music as Cross-Cultural Symbols, in Musical Migrations: Transnationalism and Cultural Hybridity in the Americas. Frances R. Aparicio and Cándida F. Jáquez, eds. 81-98. New York: Palgrave.

Gross, Joan, David McMurray, and Ted Swedenburg. 1994. Arab Noise and Ramadan Nights: Rai, Rap, and Franco-Maghrebi Identities. Diaspora 3, no. 1: 3- 39. [Reprinted in //The Anthropology of Globalization: A Reader, ed. by Jonathan Xavier and Renato Rosaldo, 198-230. Oxford: Blackwell Publishers, 2002.]

Haines, Rebecca. 1999. Break North: Rap Music and Hip-Hop Culture in Canada, in Ethnicity, Politics, and Public Policy: Case Studies in Canadian Diversity. University of Toronto Press: 54-88.

Hayes, David. 2004. Fear of (and Fascination with) a Black Planet: The Relocation of Rap by White Non-Urban Youth. Topia 12 (2004): 63-82.

Hebdige, Dick. 2004. Rap and Hip-hop: The New York Connection, in That’s the Joint!: The Hip-hop Studies Reader. New York; London: Routledge.

Helenon, Veronique. 2006. Africa on Their Mind: Rap, Blackness, and Citizenship in France, in The Vinyl Ain’t Final: Hip Hop and the Globalization of Black Popular Culture, ed. Dipannita Basu and Sidney J. Lemelle, 151-66. London; Ann Arbor, MI: Pluto Press.

Henderson, April K. 2006. Dancing Between Islands: Hip Hop and the Samoan Diaspora, in The Vinyl Ain’t Final: Hip Hop and the Globalization of Black Popular Culture, ed. Dipannita Basu and Sidney J. Lemelle, 180-199. London; Ann Arbor, MI: Pluto Press.

Hesmondhalgh, David, and Caspar Melville. 2001. Urban Breakbeat Culture: Repercussions of Hip-Hop in the United Kingdom, in Global Noise: Rap and Hip Hop Outside the USA, Tony Mitchell, ed. Middletown, CT: Wesleyan University Press.

Host, Vivian (and contributors). 2007. The New World Music. XLR8R 109 (August): 64-73.

Hosokawa, Shuhei. 1984. The Walkman Effect. Popular Music 4:165-180.

Imre, Aniko. 2009. Identity Games: Globalization and the Transformation of Media Cultures in the New Europe. Cambridge, MA: MIT Press.

Jacobs-Fantauzzi, Eli. Inventos: Hip Hop Cubano. DVD. (2003)

Kahf, Usama. 2007. Arabic Hip Hop: Claims of Authenticity and Identity of a New Genre. Journal of Popular Music Studies 14(4): 359–385.

Kenner, Rob. 1999. Dancehall, in The Vibe History of Hip-hop. Alan Light, ed., 350-7. New York: Three Rivers Press.

Koptko, Tania. 1986. Breakdance as an Identity Marker in New Zealand, Yearbook for Traditional Music 17: 21-28.

Lemelle, Sidney J. 2006. 'Ni wapi Tunakwenda': Hip Hop Culture and the Children of Arusha, in// The Vinyl Ain’t Final: Hip Hop and the Globalization of Black Popular Culture//, ed. Dipannita Basu and Sidney J. Lemelle, 230-54. London; Ann Arbor, MI: Pluto Press.

Lin, Angela. 2009. "Respect for Da Chopstick Hip Hop": The Politics, Poetics, and Pedagogy of Cantonese Verbal Art in Hong Kong, in Global Linguistic Flows: Hip Hop Cultures, Youth Identities, and the Politics of Language, ed. H. Samy Alim, Awad Ibrahim and Alastair Pennycook. New York: Routledge.

Larkey, Edward. 2002. Postwar German Popular Music: Americanization, the Cold War, and the Post-Nazi Heimat, in Music and German National Identity, ed. Cecilia Applegate and Pamela Potter. Chicago: University of Chicago Press, 2002.

Magubane, Zine. 2006. Globalization and Gangster Rap: Hip Hop in the Post-Apartheid City, in The Vinyl Ain’t Final: Hip Hop and the Globalization of Black Popular Culture, ed. Dipannita Basu and Sidney J. Lemelle, 208-29. London; Ann Arbor, MI: Pluto Press.

Manabe, Noriko. 2006. Globalization and Japanese Creativity: Adaptations of Japanese Language to Rap Ethnomusicology 50(1): 1-36.

Marshall, Wayne. 2006. Bling-bling for Rastafari: How Jamaicans Deal with Hip-hop. Social and Economic Studies 55, nos. 1 & 2: 49- 74.

———. Global Ghettotech vs. Indie Rock: The Contempo Cartography of Hip, <http://wayneandwax.com/?p=205>

———. 2005. Hearing Hip-hop’s Jamaican Accent. Institute for Studies in American Music Newsletter 34, no. 2: 8-9, 14-15.

Martin, Lydia. Bongo Flava: Swahili Rap from Tanzania (CD review). Afropop. <http://www.afropop.org/explore/album_review/ID/2604/ Bongo+Flava:+Swahili+Rap+from+Tanzania>

Maxwell, Ian. 2003. Phat Beats, Dope Rhymes: Hip Hop Down Under Comin' Upper. Wesleyan University Press.

———. 2001. Sydney Stylee: Hip-Hop Down under Comin' Up, in Global Noise: Rap and Hip Hop Outside the USA, Tony Mitchell, ed., 259-279. Middletown, CT: Wesleyan University Press.

McDonald, David. 2008-09. Carrying Words Like Weapons: Hip Hop and the Poetics of Palestinian Identities in Israel. Min-Ad: Israel Studies in Musicology 7, no. 2: 116-130.

Meghelli, Samir. Interview with Youcef (Intik), in Tha Global Cipha: Hip Hop Culture and Consciousness, ed. by James G. Spady, H. Samy Alim, and Samir Meghelli. 656-67. Philadelphia: Black History Museum Publishers.

Mitchell, Tony, ed. 2001. Global Noise: Rap and Hip-Hop Outside the USA. Middletown, CT: Wesleyan University Press.

———. 2001. Introduction: Another Root—Hip-hop Outside the USA, in Global Noise: Rap and Hip-Hop Outside the USA, 1- 38. Middletown, CT: Wesleyan University Press.

———. 2001. Kia Kaha! (Be Strong!): Maori and Pacific Islander Hip-Hop in Aotearoa-New Zealand, in Global Noise: Rap and Hip Hop Outside the USA, Tony Mitchell, ed. Middletown, CT: Wesleyan University Press.

Morelli, Sarah. 2001. "Who Is a Dancing Hero?": Rap, Hip-Hop, and Dance in Korean Popular Culture, in Global Noise: Rap and Hip Hop Outside the USA, Tony Mitchell, ed. Middletown, CT: Wesleyan University Press.

Mueller, Gavin. Bongoflava: The Primer. Stylus. <http://www.stylusmagazine.com/articles/pop_playground/bongoflava-the-primer.htm>

Negrón-Muntaner, Frances and Raquel Z. Rivera. 2007. “Reggaeton Nation.” NACLA News. 17 December.

Pacini-Hernández, Deborah and Reebee Garofalo. 2000. Hip Hop in Havana: Rap, Race and National Identity in Contemporary Cuba. Journal for Popular Music Studies: 1-41.

Pacini Hernandez, Deborah, and Reebee Garofalo. 2005. The Emergence of Rap Cubano: An Historical Perspective, in Music, Space, and Place: Popular Music and Cultural Identity, ed. Sheila Whiteley, Andy Bennett and Stan Hawkins. Burlington, VT: Ashgate.

Pasternak-Mazur, Renata. 2009. The Black Muse: Polish Hip-Hop as the Voice of 'New Others' in the Post-Socialist Transition. Music & Politics 3, no. 1. Available online, http://www.music.ucsb.edu/projects/musicandpolitics/archive/2009-1/pasternak.html.

Patterson, Orlando. 1994. Ecumenical America: Global Culture and the American Cosmos. World Policy Journal 11(2): 103-17.

Pennay, Mark. Rap in Germany: The Birth of a Genre, in Global Noise: Rap and Hip-Hop Outside the USA, 111-134. Middletown: Wesleyan University Press, 2001.

Perullo, Alex, and John Fenn. 2003. Language Ideologies, Choices, and Practices in Eastern African Hip Hop, in Global Pop, Local Language, Harris M. Berger and Michael Thomas Carroll, eds. Jackson, MI: University Press of Mississippi.

Perry, Marc D. 2008. Global Black Self-Fashionings: Hip Hop as Diasporic Space, in Identities: Global Studies in Power and Culture 15, no. 6 (December): 635-664.

———. 2009. Hip Hop’s Diasporic Landscapes of Blackness, in Toussaint to Tupac: The Black International Since the Age of Revolution, Michael West, William Martin, and Fanon Wilkins, eds., University of North Carolina Press.

———. 2002. Rap Cubano. La Jiribilla (August), Havana, Cuba.

Perullo, Alex. 2005. Hooligans and Heroes: Youth Identity and Hip-Hop in Dar es Salaam, Tanzania. Africa Today 51, no.4: 75-101.

Prevos, Andre J. M. 2001. Postcolonial Popular Music in France: Rap Music and Hip-Hop Culture in the 1980s and 1990s, in Global Noise: Rap and Hip-Hop Outside the USA, 39-56. Middletown: Wesleyan University Press.

Rebensdorf, Alicia. Representing the Real: Exploring Appropriations of Hip-hop Culture in the Internet and Nairobi. Senior Thesis, Lewis & Clark.
<http://lclark.edu/~soan/alicia/rebensdorf.101.html>

Rivera, Raquel Z., Wayne Marshall, and Deborah Pacini Hernandez, eds. 2009. Reggaeton. Duke University Press.

Robinson, Simon. That’s Kwaito Style. Time. <http://www.time.com/time/europe/html/040419/kwaito.html>

Rosen, Jody. 2005. David Brooks, Playa Hater. Slate, 10 November. <http://www.slate.com/id/2130120>

Salkind, Micah. 2008. Kwaito Culture as Nonpolitics In A Black Atlantic Creative Context. Kwaito Genealogy, 13 December. <http://kwaitogeneology.wordpress.com/2008/12/13/kwaito>

Sansone, Livio. 2002. The Localization of Global Funk in Bahia and Rio, in Brazilian Popular Music & Globalization, 135-60. London: Routledge.

Santos, Mayra. 1996. “Puerto Rican Underground.” Centro 8, nos. 1 & 2: 219-231.

Sarkar, Mela. 2009. ‘Still Reppin Por Mi Gente’: The Tranformative Power of Language Mixing in Quebec Hip Hop, in Global Linguistic Flows: Hip Hop Cultures, Youth Identities, and the Politics of Language. New York: Routledge: 139-58.

Saucier, Paul, ed. 2011. Native Tongues: An African Hip-Hop Reader. Trenton: Africa World Press.

Schwartz, Mark. 1999. Planet Rock: Hip Hop Supa National, in The Vibe History of Hip-hop, ed. Alan Light, 361-72. New York: Three Rivers Press.

Sciorra, Joseph. 2002. ‘Hip Hop from Italy and the Italian Diaspora’: A Report from the 41st Parallel. Altreitalie 24 (January-June): 86-104. available online: http://qc cuny.academia.edu/JosephSciorra/Papers/1213302/Hip_Hop_from_Italy_and_the_Diaspora_A_Report_from_the_41st_Parallel

———. 2011. The Mediascape of Hip Wop: Alterity and Authenticity in Italian American Rap, in Global Media, Culture, and Identity. Rohit Chopra and Radhika Gajjala, eds. (New York: Routledge): 33-51.

Scruggs, Greg. 2007. Stirring the Pot. Beat Diaspora, 17 December. <http://beatdiaspora.blogspot.com/2007/12/stirring-pot.html>

Sharma, Sanjay. 1996. 'Noisy Asians' or ‘Asian Noise’?, in Disorienting Rhythms: The Politics of the New Asian Dance Music, ed. Sanjay Sharma, John Hutnyk, and Ashwani Sharma, 32-57. London: Zed Books.

Solomon, Thomas. 2005. 'Listening to Istanbul': Imagining Place in Turkish Rap Music. Studia Musicologica Norvegica 31:46-67.

———. 2005. 'Living underground is tough': Authenticity and Locality in the Hip-hop Community in Istanbul, Turkey. Popular Music 24, no. 1:1-20.

Spady, James G., H. Samy Alim, and Samir Meghelli. 2006. Tha Global Cipha: Hip Hop Culture and Consciousness. Philadelphia, PA: Black History Museum Press.

Stanley-Niaah, Sonjah. 2007. Mapping of Black Atlantic Performance Geographies: From Slave Ship to Ghetto, in Black Geographies and the Politics of Place, eds. Katherine McKittrick and Clyde Woods, 193-217. Cambridge, MA: South End Press.

Steingo, Gavin. 2005. South African Music After Apartheid: Kwaito, the “Party Politic,” and the Appropriation of Gold as a Sign of Success. Popular Music and Society, July.

Swedenburg, Ted. 2001. Islamic Hip-hop vs. Islamophobia, in Global Noise: Rap and Hip-Hop Outside the USA, 57-85. Middletown: Wesleyan University Press.

Thomas, Deborah. 2004. Modern Blackness; or, Theoretical ‘Tripping’ on Black Vernacular Culture, in Modern Blackness: Nationalism, Globalization, and the Politics of Culture in Jamaica, 230-62. Durham, N.C.: Duke University Press.

Tsujimura, Natsuko, and Stuart Davis. 2009. Dragon Ash and the Reinterpretation of Hip Hop: On the Notion of Rhyme in Japanese Hip Hop, in Global Linguistic Flows: Hip Hop Cultures, Youth Identities, and the Politics of Language, ed. H. Samy Alim, Awad Ibrahim and Alastair Pennycook. New York: Routledge.

Walcott, Rinaldo. 2003. ‘Keep on movin’, Rap, Black Atlantic Identities and the Problem of Nation, in Black Like Who? Writing Black Canada. Insomniac Press.

———. 2002. ‘It’s My Nature’: The Discourse of Experience and Black Canadian Music, in Slippery Pastimes: Reading the Popular in Canadian Culture, eds. Joan Nicks and Jeannette Sloniowski. Waterloo, ON: Wilfred Laurier Press.

Wanguhu, Michael. 2005. Hip Hop Colony: The Hip Hop Explosion in Africa. DVD.

Watkins, Lee. 2005. Rapp'in' the Cape: Style and Memory, Power in Community, in Music, Space, and Place: Popular Music and Cultural Identity, ed. Sheila Whiteley, Andy Bennett and Stan Hawkins. Burlington, VT: Ashgate.

Wood, Joe. The Yellow Negro, Transition 73 (“The White Issue”): 40-67.

Whiteley, Sheila, Andy Bennett, and Stan Hawkins, ed. 2004. Music, Space and Place: Popular Music and Cultural Identity. London & Burlington, VT: Ashgate Publishing. 2004.

Wunderlich, Annelise. 2006. Cuban Hip-hop: Making Space for New Voices of Dissent, in The Vinyl Ain’t Final: Hip Hop and the Globalization of Black Popular Culture, ed. Dipannita Basu and Sidney J. Lemelle, 167-79. London; Ann Arbor, MI: Pluto Press.

Yúdice, George. 1994. The Funkification of Rio, in Microphone Fiends, 193-220. London: Routledge.